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"Golden Slumbers" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, [2] [3] it is the sixth song of the album's climactic B-side medley. The song is followed by "Carry That Weight" and begins the progression that leads to the end of the album.
American guitarist George Benson covered the song in a medley with "Golden Slumbers" in his 1970 album The Other Side of Abbey Road. [18] Comedy rock duo Tenacious D covered "You Never Give Me Your Money" in medley with "The End" as a single released on 2 July 2021. The proceeds benefit Doctors Without Borders. [19]
The Beatles began recording "Golden Slumbers"/"Carry That Weight" as one piece on 2 July 1969. [5] McCartney, Harrison, and Ringo Starr recorded 15 takes of the two songs [5] while Lennon was in a hospital recovering from a car accident in Scotland. [6] The rhythm tracks featured McCartney on piano, Harrison on bass guitar, and Starr on drums.
The coda beginning "Cuando para mucho", which is an exact copy of the instrumental intro, is initially sung to a ii (F ♯ m 7 chord), which moves to V–I (B 6 to E 6 chords) on "cora-zon", then alternates back to ii (F ♯ m 7) on "Mundo paparazzi" and "Cuesto obrigato" before again V–I (B 6 –E 6) on "para-sol" and "carou-sel".
"She Came In Through the Bathroom Window" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, it is the fifth song of the album's climactic medley, immediately following "Polythene Pam".
These performances show how Beatles songs invite improvisation thanks to their lilt, sturdy construction and sophisticated chord changes. Plus, as Mehldau observes in his liner notes, they swing." [ 14 ]
In his description of the song, author Ian MacDonald likens Lennon's "massive" opening acoustic guitar chords to the Who's "Pinball Wizard", which was a single at the time. [ 10 ] The band carried out overdubs on the track on 28 July, although many of these contributions, such as piano and electric piano, were subsequently cut. [ 11 ]
As eventually recorded, "Mustard" originally was to end in the chord of D major—this would have led into the next track in the climactic medley, "Her Majesty". However, since the latter song was moved to the end of the album, "Mustard" instead hard-edits into " Polythene Pam ", and thus the final note of "Mustard" would open "Her Majesty" as ...