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Schiele's 1917 Seated Woman piece portrays a young female figure, modeled after Edith. [5] Depicted as sitting on the ground, the figure assumes an informal and provocative pose. [ 1 ] [ 2 ] [ 5 ] Although in a relaxed pose and at ease, [ 1 ] [ 9 ] Schiele's model has also been conversely described as "charged with a nervous energy", [ 2 ] and ...
The painting depicts a domestic scene of a woman, sitting on a plain towel or sheet over a dark rug on the bare floorboards. She is largely undressed, with bare back, arms and head, hair tied back, and bare right thigh visible. A swathe of plain fabric is wrapped around her waist, with a black boot or stocking on her right lower leg.
The drawing is related to the etching B162 : Self-portrait with Open Mouth: c. 1628-1629: Pen and brown ink with grey wash; ruled framing lines in the same brown ink: 12.7 x 9.5 cm: British Museum, London: The drawing is related to the etching B013 : Self-portrait: c. 1629: Pen: 12.7 x 9.4 cm: Rijksmuseum Amsterdam: The drawing is related to ...
Sitting with your legs nicely crossed is one thing, but this woman somehow managed to twist her legs around each other nearly three times! Photo of woman crossing her legs on a subway is baffling ...
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
The Sitting Woman, on the other hand, assumes a contemplative posture by placing both hands on a single leg while sitting directly on the ground, without the use of a chair. Her left leg extends outward, her right leg is bent, her hips are distinctly delineated, and her facial expression is equally evocative. [5]
The work depicts a woman sitting on white towels spread over a wicker chair, with her back to the viewer. Her body is arched and slightly twisted, creating a tension in her back, accentuated by the deep line of her backbone. One hand dries her neck with a towel, presumably after the woman exited the tin bath in the corner of the room. The other ...
For Chair the woman lies curled on her back, a seat cushion on her thighs and her legs acting as a back rest. Table is a woman on all fours, with a sheet of glass supported on her back. For Hat Stand the woman is standing, 1.85 metres (73 in) tall, [4] her hands upturned as hooks. Each fibreglass figure was produced from drawings by Jones.