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&TD Theatre (Croatian: Teatar &TD), alternatively spelled ITD, is a theatre in Zagreb, Croatia.It is regarded as one of the three most important experimental Zagreb theatres in recent times, alongside Exit Theatre and Zagreb Youth Theatre. [1]
It was originally founded in 1964 by Fadil Hadžić as a cabaret under the name "Jazavac". It is a 600 seats satirical theatre named after Petrica Kerempuh, a Croatian folk hero that ridicules the powerful. [4]
The Ivan Vazov National Theatre (Bulgarian: Народен театър „Иван Вазов“, Naroden teatar „Ivan Vazov“) is Bulgaria's national theatre, as well as the oldest and most authoritative theatre in the country and one of the important landmarks of Sofia, the capital of Bulgaria.
Kamerni teatar 55 (English: Chamber Theater 55) is a theater in Sarajevo, established in 1955. It is registered as public institution under the Ministry of Culture and Sport of Canton Sarajevo. [2] On average, around 13,000 people view performances throughout the year, and the capacity of the theater is 160 seats. [3]
The Sarajevo War Theatre (Bosnian: Sarajevski ratni teatar / Сарајевски ратни театар, SARTR) is a theatre in Sarajevo, Bosnia and Herzegovina. [1] [2] It was founded on 17 May 1992 on the initiative of Dubravko Bibanović, Gradimir Gojer, Đorđe Mačkić and Safet Plakalo during the Siege of Sarajevo.
The Theatre on Terazije was opened in 1949, with an actors' ensemble as well as ballet, choir and orchestral ensembles. The building of the Terazije theatre in the same named area in Belgrade’s city centre was created by Georgije Samoylov, a Russian immigrant who completed his studies at the University of Belgrade's Faculty of Architecture.
Exit: An Illusion is a one-act play by Marita Bonner. [1] The play was written in 1929, but was performed for the first time in New York City by the Xoregos Performing Company in 2015. The play involves three characters (Dot, Buddy and Exit Mann), who are used as symbols to represent beliefs of the early 20th century, including colorism and ...
No Exit (French: Huis clos, pronounced [ɥi klo]) is a 1944 existentialist French play by Jean-Paul Sartre. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. [ 1 ] The play centers around a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity.