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The Flying Horse of Gansu, [1] also known as the Bronze Running Horse (銅奔馬) or the Galloping Horse Treading on a Flying Swallow (馬踏飛燕), is a Chinese bronze sculpture from circa the 2nd century CE.
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
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The Horse in Motion is a series of cabinet cards by Eadweard Muybridge, including six cards that each show a series of six to twelve "automatic electro-photographs" depicting succesive phases in the movement of a horse, shot in June 1878. An additional card reprinted the single image of the horse "Occident" trotting at high speed, which had ...
A controlled gallop used to show a horse's ground-covering stride in horse show competition is called a "gallop in hand" or a hand gallop. [12] In complete contrast to the suspended phase of a gallop, when a horse jumps over a fence, the legs are stretched out while in the air, and the front legs hit the ground before the hind legs.
Big Rocking Horse; The Black Brunswicker; Black Horses (Grandma Moses) Blackie (American horse) Blessed Be the Host of the King of Heaven; The Blind Girl; Blue Horse I; Blue Horses; The Blue Rider (Kandinsky) Boar hunter (Hermitage Museum) Bonaparte Before the Sphinx; Bonaparte Crossing the Alps; Le Boulevard de Montmartre, Matinée de Printemps
Vicente Blasco Ibáñez, in his 1916 novel The Four Horsemen of the Apocalypse (filmed in 1921 and 1962), provides an early example of this interpretation, writing, "The horseman on the white horse was clad in a showy and barbarous attire. . . . While his horse continued galloping, he was bending his bow in order to spread pestilence abroad.