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The general layout of the mosque is a traditional hypostyle building with a central courtyard. As the mosque's prayer area is aligned with the qibla (direction of Mecca) but the street outside is not, the mosque's external façade has a different alignment from the rest of the structure and the entrance involves a bending passage from the street to the mosque interior. [3]
Mihrab (Arabic: محراب, miḥrāb, pl. محاريب maḥārīb) is a niche in the wall of a mosque that indicates the qibla, the direction of the Kaaba in Mecca towards which Muslims should face when praying. The wall in which a mihrab appears is thus the "qibla wall".
[12]: 178–180 On either side of the mihrab are two doors giving access to small chambers, one of which was used to store the wooden minbar (a ceremonial pulpit). Above and right in front of the mihrab is a large square cupola filled with a dome of finely-carved and painted muqarnas (stalactite or honeycomb-like geometric sculpture). Similar ...
The text is a fragment of the Surat al-Fath (Sura of Victory) from the Qur'an. [1] Below this inscription band, the qibla wall is covered in multicolored marble paneling, centered around the mihrab (the niche symbolizing the direction of prayer) which is framed by its own golden inscription and whose central half-dome hood features a sunrise ...
Typically, such emphasis would be conferred by a mihrab, a niche-like structure that serves as the focal point on the qibla wall. However, in this case, the mihrab takes the form of a narrow vertical recess that extends to the wall's height, with a barely noticeable alteration in the wall's angle occurring between the mihrab and the minbar. [2]
To the right of the mihrab in the central tower is a second niche, the pulpit or minbar, from which the imam preaches his Friday sermon. [18] The towers in the qibla wall do not contain stairs linking the prayer hall with the roof. Instead there are two square towers housing stairs leading to the roof.
The last aisle, directly in front of the qibla wall, was distinguished by being slightly wider, as was the middle nave that led to the mihrab. This formed a "T" in the plan, which was a recurring feature in other medieval mosques in this region.
The mosque's mihrab, whose decor is a remarkable witness of Muslim art in the early centuries of Islam, is distinguished by its harmonious composition and the quality of its ornaments. Considered as the oldest example of concave mihrab, it dates in its present state to 862–863 AD. [77] Upper part of the mihrab Luster tiles of the mihrab