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The Grove encyclopedia of materials and techniques in art, 2008. New York, Oxford University Press. ISBN 978-0-19-531391-8; Rembrandt and the Nude: Prints by Rembrandt van Rijn (1606-1669), 1996. Cambridge, Fitzwilliam Museum. Schwartz, Gary, The Complete Etchings of Rembrandt, Reproduced in Original Size, 1994 (Dover Edn.), Dover Books, New York
Sheet of studies, with a woman lying ill in bed, etc. About 1641-42 B072: 2: The raising of Lazarus: the small plate: 1642 B082: 1: The descent from the cross: a sketch: 1642 B105: 2: St. Jerome in a dark chamber: 1642 B188: 4: The flute player [L’espiegle] 1642 B257: 1: Man in an arbor: 1642 B026: 1: Self portrait in a flat cap and ...
Prints based on the Bible (3 C, 12 P) S. Sculptures of biblical people (4 C) Pages in category "Biblical art" The following 12 pages are in this category, out of 12 ...
As common in stained glass and other Gothic art of the time, the illustrations are framed within medallions. [5] The text explained the theological and moral meanings of the text. [ 4 ] Many artists were involved in the creation of each of the Bibles moralisées , and their identities and shares of the work remain unclear.
The Hundred Guilder print was created drypoint and etching with Japan paper as the main material for the print. [21] Rembrandt was fascinated with subjects from the Old and New Testaments and, as in Abraham and Isaac, he enjoyed revealing realistic human emotion and narrative detail inspired by these stories which lead to the origin of the ...
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