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Snow Storm, or Snow Storm: Steam-Boat off a Harbour's Mouth, (full title: Snow Storm – Steam-Boat off a Harbour's Mouth Making Signals in Shallow Water, and going by the Lead. The Author was in this Storm on the Night the "Ariel" left Harwich) [1] is a painting by English artist Joseph Mallord William Turner (1775–1851) from 1842. [2] [3]
The painting measures 146 × 237.5 centimetres (57.5 × 93.5 in). It contains the first appearance in Turner's work of a swirling oval vortex of wind, rain and cloud, a dynamic composition of contrasting light and dark that will recur in later works, such as his 1842 painting Snow Storm: Steam-Boat off a Harbour's Mouth.
Snow Storm: Hannibal and his Army Crossing the Alps (painting), an 1812 artwork British painter Joseph Mallord William Turner; Snowstorm (Starsky and Hutch episode), a 1975 TV episode of Starsky and Hutch; Snow Storm (G.I. Joe), a fictional character in the G.I. Joe universe; Snowstorm, a 1977 Yugoslav film directed by Antun Vrdoljak
The Shortening Winter's Day is near a Close; Skaters in the Bois de Boulogne; Sledging on the Neva; Snow at Argenteuil; Snow Storm: Hannibal and his Army Crossing the Alps; Snow Storm: Steam-Boat off a Harbour's Mouth; A Sorcerer Comes to a Peasant Wedding; Stalingrad (painting) Stetind in Fog; Suvorov crossing the Alps
The "Hessian Storm of 1778". December 26, 1778. Severe blizzard with high winds, heavy snows and bitter cold extending from Pennsylvania to New England. Snow drifts reported to be 15 feet (4.6 m) high in Rhode Island. Storm named for stranded Hessian troops in deep snows stationed in Rhode Island during the Revolutionary War. [15]
When lake-effect snow hits regions of the Great Lakes during late fall and winter, you start to hear meteorologists use terms like "feet of snow," "whiteout conditions," "blizzard" and "travel ...
Snow fell 85 times within ten days of those 642 times — that’s only 13% of the time. Will snow follow a ring around the moon? Another wives’ tale says a lunar halo, or a ring seen around the ...
Detail of the old warship and tugboat. The composition of this painting is unusual in that the most significant object, the old warship, is positioned well to the left of the painting, where it rises in stately splendour and almost ghostlike colours against a triangle of blue sky and rising mist that throws it into relief.