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Dance with musicians, Tacuinum sanitatis casanatense (Lombardy, Italy, late 14th century) Sources for an understanding of dance in Europe in the Middle Ages are limited and fragmentary, being composed of some interesting depictions in paintings and illuminations, a few musical examples of what may be dances, and scattered allusions in literary texts.
Jerusalem Baroque Orchestra: baroque orchestra (music director: David Shemer) Accademia Daniel: baroque chamber group; Ensemble PHOENIX on period instruments: broad ensemble performing from Middle Ages to Early Romantic music on period instruments, working since 1998 (conductor & musical director Myrna Herzog) [1] [2]
Elite formal dances in the Middle Ages often included elements of performance, which gradually increased until the 17th century, often reducing the amount of dancing by the whole company. Medieval dance featured many group dances, and this type of dance lasted throughout the period when Baroque dance became common and occurred on until at least ...
This is a list of medieval musical instruments used in European music during the Medieval period. It covers the period from before 1150 to 1400 A.D. There may be some overlap with Renaissance musical instruments; Renaissance music begins in the 15th century. The list mainly covers Western Europe.
The estampie is the first known genre of medieval era dance music which continues to exist today. [9] [page needed] The earliest reported example of this musical form is the song "Kalenda maya", written by the troubadour Raimbaut de Vaqueiras (1180–1207), possibly to a preexisting melody.
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
The Early Music Consort of London was a British music ensemble in the late 1960s and 1970s which specialised in historically informed performance of Medieval and Renaissance music. It was founded in 1967 by music academics Christopher Hogwood and David Munrow and produced many highly influential recordings.
The Schola Cantorum was the trained papal choir during the Middle Ages, specializing in the performance of plainchant for the purpose of rendering the music in church. In the fourth century, Pope Sylvester I was said to have inaugurated the first Schola Cantorum, but it was Pope Gregory I who established the school on a firm basis and endowed it. [1]