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The Roland Sound Canvas (Japanese: ローランド・サウンド・キャンバス, Hepburn: Rōrando Saundo Kyanbasu) lineup is a series of General MIDI (GM) based pulse-code modulation (PCM) sound modules and sound cards, primarily intended for computer music usage, created by Japanese manufacturer Roland Corporation.
Virtual Audio Cable is a software product based on WDM multimedia driver that allows a user to transfer audio streams from one application to another. Any application is able to send an audio stream to the input side of a "virtual cable" while a corresponding application can receive this stream from the output side.
VDMSound allows the user to provide custom mappings for MIDI instruments as well as for joystick buttons and axes. MIDI mappings are particularly useful when the type of MIDI device supported by a game (e.g. MT-32) is different from the type of hardware or software device actually present on the system (e.g. Microsoft GS Wavetable SW Synth.) [7]
Creative cards are generally backwards compatible with older EAX versions, although hardware accelerated DSP processing of these effects only happens on cards with EMU chips. Most audio solutions from Creative released after the X-Fi Titanium HD (except for the Audigy Rx) and other companies offer EAX software emulation of varying degrees instead.
RealSound is a patented (US US5054086 A) technology for the PC created by Steve Witzel of Access Software during the late 1980s. [1] RealSound enables 6-bit [2] digitized pulse-code modulation (PCM)-audio playback on the PC speaker by means of pulse-width modulation (PWM) drive, allowing software control of the loud speaker's amplitude of displacement.
ASIO 2.3 introduced monitoring for dropouts in the audio stream. [4] ASIO bypasses the normal audio path from a user application through layers of intermediary operating system software so that an application connects directly to the sound card hardware. Each layer that is bypassed means a reduction in latency (the delay between an application ...
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