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Feroz-ul-Lughat Urdu Jamia (Urdu: فیروز الغات اردو جامع) is an Urdu-to-Urdu dictionary published by Ferozsons (Private) Limited. It was originally compiled by Maulvi Ferozeuddin in 1897. The dictionary contains about 100,000 ancient and popular words, compounds, derivatives, idioms, proverbs, and modern scientific, literary ...
The Constitution of Pakistan (Urdu: آئینِ پاکستان ; ISO: Āīn-ē-Pākistān), also known as the 1973 Constitution, is the supreme law of Pakistan. The document guides Pakistan's law, political culture, and system.
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Federal Urdu University (Abdul-Haq campus), Karachi [2] Occupation(s) Researcher, scholar and a literary critic: Era: 20th century: Organization: Anjuman-i Taraqqi-i Urdu: Known for: Compiling a Standard English-Urdu Dictionary and a lifetime dedication to the promotion of Urdu language: Title: Baba-e-Urdu (lit. ' Father of Urdu ') Signature
Urdu title English translation Date Description Ref Mirat-ul-Uroos: the Bride’s mirror 1869 This is the first novel written by Ahmad and it is also the first novel of Urdu literature. It is the story of two sisters, Asghari and Akbari. Asghari was younger sister and she was really intelligent, doing every thing with wisdom and intelligence.
Hum Dekhenge (Urdu: ہم دیکھیں گے - In english We shall see) is a popular Urdu nazm, written by the Pakistani poet Faiz Ahmad Faiz. [1] Originally written as Va Yabqá Vajhu Rabbika (And the countenance of your Lord will outlast all), [2] it was included in the seventh poetry book of Faiz -- Mere Dil Mere Musafir.
The Urdu alphabet (Urdu: اُردُو حُرُوفِ تَہَجِّی, romanized: urdū ḥurūf-i tahajjī) is the right-to-left alphabet used for writing Urdu. It is a modification of the Persian alphabet , which itself is derived from the Arabic script .
Classically, the ghazal inhabits the consciousness of a passionate, desperate lover, wherein deeper reflections of life are found in the audience's awareness of what some commentators and historians call "The Ghazal Universe", which can be described as a store of characters, settings, and other tropes the genre employs to create meaning. [3]