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Would've, Could've, Should've" debuted and peaked at number 20 on the US Billboard Hot 100. [7] On the Billboard Global 200, it peaked at number 21. [8] The track peaked on singles charts including the Canadian Hot 100 (18), [9] the Portuguese singles chart (66), [10] the Philippines Songs chart (23), [11] and the Billboard Vietnam Hot 100 ...
Taylor really put Would’ve, Could’ve, Should’ve, a song directly about her relationship with John Mayer when she was just 19, as TRACK 19 ON THE ALBUM. SHOTS WERE FIRED — mr. perfectly ...
In the song "Would've, Could've, Should've," Swift sings about being 19 and in a relationship with a poisonous "grown man" — Mayer was 32 at the time — who later dismissed her as "a child."
Just months ago, in October, when Swift dropped her 10th album, Midnights, it included bonus tracks and fans speculate one, "Would've, Could've, Should've," is another go at Mayer. It happened to ...
The former ranked the song in the top 50 among Swift's 274 songs in her entire discography and lauded it for being "powerfully understated". [17] Ahlgrim and Larocca commended the lyrics for portraying heartbreak with vague yet emotionally resonant lyrics that could apply to a wide range of emotional experiences by different people.
The song is told through the eyes of a promiscuous young man who has had many sexual experiences, and plays upon the double-meaning of the word "heaven." He first recalls his baptism and how the preacher asked the protagonist (then a young boy), "Do you want to go to Heaven," referring to the religious concept of the afterlife (where good people go after their death).
The song's music video was released on February 6, 2018, and directed by Sophie Muller. In the visual, Michaels wanders around a kitchen inside an apartment, wearing a tailored suit, intercut with scenes of Michaels daydreaming half-dressed men dancing around and circle the room, [ 8 ] and tasting ice cream from the fridge.
"I Should've Followed You Home" is a duet sung by Swedish recording artist and ABBA member Agnetha Fältskog and British singer-songwriter and Take That frontman Gary Barlow. Written by Barlow and producer Jörgen Elofsson , it was the third single taken from A .