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Ernest Miller Hemingway (/ ˈ h ɛ m ɪ ŋ w eɪ / HEM-ing-way; July 21, 1899 – July 2, 1961) was an American novelist, short-story writer and journalist. Known for an economical, understated style that influenced later 20th-century writers, he has been romanticized for his adventurous lifestyle and outspoken, blunt public image.
The Complete Short Stories of Ernest Hemingway: The Finca Vigía Edition, is a posthumous collection of Ernest Hemingway's (July 21, 1899 – July 2, 1961) short fiction, published in 1987. It contains the classic First Forty-Nine Stories as well as 21 other stories and a foreword by his sons.
Hemingway writing in Kenya, 1953. Ernest Hemingway (1899–1961) [1] was an American novelist, short-story writer, journalist, and sportsman. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction.
This year's celebration concluded Sunday on the 125th anniversary of Hemingway's birth on July 21, 1899. Ernest Hemingway spent the 1930s in Key West, Florida, and more than six decades after his ...
Under Kilimanjaro is a non-fiction novel by Ernest Hemingway (July 21, 1899 – July 2, 1961), edited and published posthumously by Robert W. Lewis and Robert E. Fleming. It is based upon journals that he wrote while he was on his last safari. It is a longer and re-edited version of True at First Light. True at First Light was published in 1999 ...
Men Without Women (1927) is the second collection of short stories written by American author Ernest Hemingway (July 21, 1899 – July 2, 1961). The volume consists of 14 stories, 10 of which had been previously published in magazines.
The 1954 Nobel Prize in Literature was awarded to the American author Ernest Hemingway (1899–1961) "for his mastery of the art of narrative, most recently demonstrated in The Old Man and the Sea, and for the influence that he has exerted on contemporary style."
Ernest Hemingway in a Milan hospital, 1918. The 19-year-old author is recovering from World War I shrapnel wounds. Hemingway scholar Wendolyn Tetlow says that from its inception the collection was written with a rhythmic and lyrical unity reminiscent of Pound's "Hugh Selwyn Mauberley" and T.S. Eliot's The Waste Land. [56]