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  2. 10 Pedals Every Guitarist Should Own - AOL

    www.aol.com/entertainment/10-pedals-every...

    It’s 2024, guitar pedals are bigger than ever, and Bill Finnegan still hasn’t shown any kind of inclination or desire to make anywhere near enough of his legendary Klon pedals to satisfy demand.

  3. List of distortion pedals - Wikipedia

    en.wikipedia.org/wiki/List_of_distortion_pedals

    The pedal also features a rarity for an overdrive pedal: an effects loop, which allows a second pedal to be connected and activated at the same time—e.g., using the Guv'nor paired with a delay effect for solos. [61] Notable players include Gary Moore, with the pedal visible in artwork for his album Still Got the Blues. [62]

  4. Boss DS-1 - Wikipedia

    en.wikipedia.org/wiki/Boss_DS-1

    The Boss DS-1 is a distortion pedal for guitar, manufactured by the Roland Corporation under the brand name Boss since 1978. The first distortion effects unit made by Boss, [1] it has become a classic effect, used by many notable guitar players. [2] Boss released a successor, the DS-2. [3]

  5. Pedal steel guitar - Wikipedia

    en.wikipedia.org/wiki/Pedal_steel_guitar

    A song played on an E9 pedal steel guitar. The pedal steel continues to be an instrument in transition. [20] In the United States, as of 2017, the E9 neck is more common, but most pedal steels still have two necks. The C6 is typically used for western swing music and the E9 neck is more often used for country music. [31]

  6. Pro Co RAT - Wikipedia

    en.wikipedia.org/wiki/Pro_Co_RAT

    R2DU (19 inch rackmountable double RAT pedal, usable in cascade mode or dual channel) BRAT / Roadkill ('budget' USA-made RAT2 derivative circuit designed for Guitar Center including the Motorola LM308 opamp with LEDs in the negative-feedback loop. The front faceplate is two-sided with one 'BRAT' print side and on the other side a 'Roadkill' print.

  7. Klon Centaur - Wikipedia

    en.wikipedia.org/wiki/Klon_Centaur

    The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.