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1645; died 1684) ... Hieronymus, and Nicolaus, were generally used on the violin labels, [8] and the family name was sometimes Latinized as Amatus. ...
Two-piece spruce top of medium width grain widening to the edges, two-piece back of quarter sawn maple with faint flame of narrow width mostly horizontal, ribs and scroll of similar maple, and varnish of an orange-brown color over a golden ground. There is an original printed label inside the instrument reads "Nicolaus Amatus Cremonen.
Don Nicolò Amati [1] (born Nicolò Marchioni or Nicolò Melchioni; [2] 1662–1752) was an Italian violin maker based in Bologna. In 1687 he entered priesthood. In 1687 he entered priesthood. He pursued both careers, priesthood and violinmaking, throughout his lifetime.
(active c. 1730 – c. 1780) Naples, Italy.Nicolò Gagliano (also known as Nicolo, Nicola or the Latinised Nicolaus) was the eldest son of Alessandro and is generally considered the most famous luthier of the Gagliano family (he is known as Nicolò I to differentiate him from his grandson Nicolò II).
A Stradivarius bow, The King Charles IV Violin Bow attributed to the Stradivari Workshop, is currently in the collection of the National Music Museum Object number: 04882, at the University of South Dakota in Vermillion, South Dakota. The Rawlins Gallery violin bow, NMM 4882, is attributed to the workshop of Antonio Stradivari, Cremona, c. 1700 ...
The double bass bears an original label "Nicolaus . Filei Hieronymi Filius An' (drea) Amatus" "Cremonensis Faciebat Anno 1680", the type of label Hieronymus II (also known as Girolomo II) used while still under the guidance and working with his father Nicòlo. This Amati double bass was most lately restored by Barnabás Rácz, Hungary, in 2006.