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They were part of a group of Italian designers whose ready-to-wear clothing became popular globally in the 1950s and 1960s. [5] The brand became famous for its colorful knitted garments with zigzag patterns, made on "Raschel" machines like those used by Rosita Missoni's family for making shawls. [ 5 ]
Between 1950s and 1960s, Marucelli established herself as one of the most important Italian fashion designers, with a style often inspired by classical and avant-garde figurative arts, such as the 1954 collection "fraticello" (i.e. "little friar"), inspired by the fifteenth century Tuscan painters, or the 1960 line "vescovi" (i.e. "bishops ...
During the Middle Ages and Renaissance, Italian fashion for both men and women was extravagant and expensive, but the fashion industry declined during the industrialization of Italy. Many modern Italian fashion brands were founded in the late 19th and early 20th centuries, and in the 1950s and 1960s, Italian fashion regained popularity worldwide.
The Italian Catherine de' Medici, as Queen of France. Her fashions were the main trendsetters of courts at the time. Fashion in Italy started to become the most fashionable in Europe since the 11th century, and powerful cities of the time, such as Venice, Milan, Florence, Naples, Vicenza and Rome began to produce robes, jewelry, textiles, shoes, fabrics, ornaments and elaborate dresses. [8]
It includes Italian fashion designers that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "Italian women fashion designers" The following 51 pages are in this category, out of 51 total.
A gamurra was an Italian style of women's dress popular in the fifteenth and early sixteenth centuries. It could also be called a camurra or camora in Florence or a zupa, zipa, or socha in northern Italy. [1] It consisted of a fitted bodice and full skirt worn over a chemise (called a camicia). It was usually unlined. [2]