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The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion-free sound system that could also serve as its own monitoring ...
Under the professional name Bear, he was the sound engineer for the Grateful Dead, recording many of the band's live performances. Stanley also developed the Grateful Dead's Wall of Sound, one of the largest mobile sound reinforcement systems ever constructed. Stanley also helped Robert Thomas design the band's trademark skull logo.
Dan Healy is an audio engineer who often worked with the American rock band the Grateful Dead. [1] [2] He succeeded Alembic and Owsley "Bear" Stanley as the group's chief sound man after the Wall Of Sound in 1974 and subsequent band hiatus through 1975.
The improvisational rock band the Grateful Dead employed 48 McIntosh MC-2300 amps as the main power source for their enormous public-address system, the Wall of Sound. Designed by Owsley "Bear" Stanley and others, this system utilized more than 26,000 watts of continuous power fed into JBL and Electrovoice speakers and was renowned for its ...
The inside is an homage to the Grateful Dead's Wall of sound sound system. The first two pages contain liner notes by Owsley "Bear" Stanley next to a large black-and-white photograph of the system. The two pages in the middle contain a collage consisting of some newspaper clippings backed by another black-and-white image of the system.
The company was founded by Owsley Stanley as a workshop in Grateful Dead's rehearsal room in Novato, California, near San Francisco, to help improve the band's entire sound chain, from its instruments to its sound reinforcement system. Eventually Alembic was actively modifying and repairing guitars and basses, recording sound, and designing and ...
In their early days, soundman Owsley "Bear" Stanley designed a public address (PA) and monitor system for them. Stanley was the Grateful Dead's soundman for many years; he was also one of the largest suppliers of LSD. [152] Stanley's sound systems were delicate and finicky, and frequently brought shows to a halt with technical breakdowns.
Owsley Stanley, who most memorably produced innovative sound recordings for the Grateful Dead, manned the sound system for the Holding Company and other acts who played the Carousel. This is the first of Stanley's Bear's Sonic Journals, hundreds of released and unreleased live shows from the San Francisco psychedelic rock era. No mixing or ...