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The Tevaram (Tamil: தேவாரம், Tēvāram), also spelled Thevaram, denotes the first seven volumes of the twelve-volume collection Tirumurai, a Shaiva narrative of epic and Puranic heroes, as well as a hagiographic account of early Shaiva saints set in devotional poetry. [1] The Tevaram volumes contain the works of the three most ...
Thiruvasagam (Tamil: திருவாசகம், romanized: tiruvācakam, lit. 'sacred sayings') is a volume of Tamil hymns composed by the ninth century Shaivite bhakti poet Manikkavasagar. It contains 51 compositions and constitutes the eighth volume of the Tirumurai, the sacred anthology of the Tamil Shaiva Siddhanta. Legend has it that ...
Tirumurai (Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century.
The three foremost Nayanars with Manikkavacakar - collectively called the Nalvar: (from left) Sambandar, Appar, Sundarar, and Manikkavacakar. Tevaram literally means, "garland of divine songs" and refers to the collection of verses sung in praise of Shiva, the supreme god of the Shaivite sect of Hinduism, by three Tamil poets known as Shaiva Kuruvars - Sambandar, Appar, and Sundarar. [2]
Appar's tradition has thrived in Tamil Shiva temples. Odhuvars, Sthanikars, or Kattalaiyars offer musical programmes in Shiva temples of Tamil Nadu by singing Tevaram after the daily rituals. [34] These are usually carried out as chorus programme soon after the divine offering.
The pilgrimage to temples, associated devotional singing with music, and other rituals started by Sambandar have thrived over the centuries. In contemporary Tamil Shiva temples, Odhuvars, Sthanikars, or Kattalaiyars offer musical programmes in Shiva temples of Tamil Nadu by singing Tevaram after the daily rituals. [10]
The Saiva Tevarams and the Vaishna Naalayira Divyap Prabhandhams were instrumental in the revival and the popularisation of Tamil music. In addition to the panns for the melody, the Tevaram poems used santham (rhythm) such as thaana-thana-thaanaa-thanaa in their lyrics, providing a complete musical experience to the listener.
The presiding deity is revered in the 7th-century-CE Tamil Saiva canonical work, the Tevaram, written by Tamil saint poets known as the nayanars and classified as Paadal Petra Sthalam. [1] The temple is considered the place where the Saiva saint poet Appar (Thirunavukkarasar) converted back to Saivism, and attained final salvation.