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Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
Video. on YouTube. Alexander Frey performs Franz Liszt's largest keyboard work, the epic Fantasy and Fugue on "Ad nos ad salutarem undam" for organ. In this live performance, Mr. Frey begins the work with the actual chorale (the chorale of the Anabaptists, "Ad nos, ad salutarem undam") from Giacomo Meyerbeer's opera, "Le Prophète", on which ...
"O lieb, so lang du lieben kannst" is an 1829 poem by the 19th-century German writer Ferdinand Freiligrath.Hungarian composer Franz Liszt set the first four stanzas in 1843 as a lied for soprano voice and piano, S. 298, and later adapted it into the third of his Liebesträume (Dreams of Love), S. 541.
No.3 of Vierstimmige Männergesänge; 1st version of S.75/2, S.75/3 75/2 M12/2 Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) mch 1849 Choral, secular 2nd version of S.75/1, S.75/3 75/3 M12/3 Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) mch 2hn 1856 Choral, secular 3rd version of S.75/1, S.75/2 76 M11 Das düstre Meer umrauscht mich
Random article; About Wikipedia; Contact us; ... Liebestraum means "love dream", or "dream of love" in German. Liebesträume, for piano by Franz Liszt; Liebestraum ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Its style is similar to Chopin's Nocturnes; [3] in particular, it seems to have been inspired by Chopin's Nocturne Op. 27 No. 2. [11] The similarity between the two works has been interpreted as a tribute to Chopin who died in 1849, a year before the Consolations were published. [ 17 ]
Franz Liszt. The symphonic poems of the Hungarian composer Franz Liszt are a series of 13 orchestral works, numbered S.95–107. [1] The first 12 were composed between 1848 and 1858 (though some use material conceived earlier); the last, Von der Wiege bis zum Grabe (From the Cradle to the Grave), followed in 1882.