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In oil painting, the simplest form of a glaze is a thin, oily, transparent layer of paint spread over the top of an opaque passage that has been given some time to dry. Light travels through the glaze and is reflected back off of the opaque layer below.
Lekythos in Six's technique, Cabinet des Médailles, Paris (De Ridder 493). Six's technique is the modern name for a technique used by Attic black-figure vase painters that involves laying on figures in white or red on a black surface and incising the details so that the black shows through.
A second form is monochrome silhouette drawing. Images are not created from reservation (paint-free areas) and painted internal detail (as in red-figure vase painting), but from drawn outlines and painted internal detail. This style is used since the end of the 6th century BC, especially on cups, alabastra and lekythoi.
China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.
Sappho Painter was an Attic black-figure vase painter, active c. 510–490 BCE. [1] The artist's name vase is a kalpis depicting the poet Sappho, currently held by the National Museum, Warsaw (Inv. 142333). The hand of the Sappho Painter has been identified on 95 vessels, 70% of which are lekythoi.
Particularly typical of Sicilian vase painting is the use of additional colours, notably of white paint. Especially in the initial phase, large vessels such as chalice kraters , volute kraters and hydriai were painted, but small vessels such as bottles, lekanes , lekythoi and skyphoid pyxides are also typical.