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White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
Lekythos in Six's technique, Cabinet des Médailles, Paris (De Ridder 493). Six's technique is the modern name for a technique used by Attic black-figure vase painters that involves laying on figures in white or red on a black surface and incising the details so that the black shows through.
Pages in category "Ancient Greek vase-painting styles" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes. A.
Give a plain ol' vase some fall flair with this easy idea. Start by coating roughly 14 cobs of dried corn with metallic gold and copper spray paint. Once dry, hot-glue cobs to the perimeter of a 6 ...
China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.
Due to their technical differences, they underwent somewhat differentiated developments. Early painting seems to have developed along similar lines to vase-painting, heavily reliant on outline and flat areas of colour, but then flowered and developed at the time that vase-painting went into decline.
East Greek vase painting was a regional style of ancient Greek vase painting, produced by the eastern Greeks (Ionia and the islands of the eastern Aegean Sea). In spite of the region's wealth, the pottery was rather unremarkable in comparison to other areas. The clay is red-brown to pink and often contains mica inclusions. Many regional sub ...
A different example of the eye-cup shape. Chalkidian black-figure eye-cup, circa 530 BC The bilingual eye-cup by the Andokides painter in the Museo Archeologico Regionale, Palermo (not illustrated), is a prime example of the transition from black-figure vase painting to the red-figure style in the late 6th century to early 5th century BC that commonly resulted in "bilingual" vases, using both ...