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Various techniques are used to achieve an etched surface in glass, whether for artistic effect, or simply to create a translucent surface. Acid etching is done using hexafluorosilicic acid (H 2 SiF 6) which, when anhydrous, is colourless.
In oil painting, the simplest form of a glaze is a thin, oily, transparent layer of paint spread over the top of an opaque passage that has been given some time to dry. Light travels through the glaze and is reflected back off of the opaque layer below.
Stele, with Decree of Nectanebo I. [1] ( Lunette of the top 1/3 of stele.) Frosting is a decorative effect named after its resemblance to the appearance of frost.It involves making very small marks in a surface so that it appears matt rather than polished, and in glass opaque rather than optically transparent.
Lekythos in Six's technique, Cabinet des Médailles, Paris (De Ridder 493). Six's technique is the modern name for a technique used by Attic black-figure vase painters that involves laying on figures in white or red on a black surface and incising the details so that the black shows through.
Saint-Cloud manufactory soft porcelain vase, with blue designs under glaze, 1695–1700. Experiments at the Rouen manufactory produced the earliest soft-paste in France, when a 1673 patent was granted to Louis Poterat, but it seems that not much was made. An application for the renewal of the patent in 1694 stated, "the secret was very little ...
Favrile glass vase by Louis Comfort Tiffany. Most antique art glass was made in factories, particularly in the UK, the United States, and Bohemia, where items were made to a standard, or "pattern". This would seem contrary to the idea that art glass is distinctive and shows individual skill.
Of course, there are also plenty of cozy picks, like a furry love lock-shaped plushie and a heart-shaped silk pillow that looks straight out of a vintage Valentine's Day ad!
White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.