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Coded Bias is an American documentary film directed by Shalini Kantayya that premiered at the 2020 Sundance Film Festival. [1] The film includes contributions from researchers Joy Buolamwini, Deborah Raji, Meredith Broussard, Cathy O’Neil, Zeynep Tufekci, Safiya Noble, Timnit Gebru, Virginia Eubanks, and Silkie Carlo, and others.
A cult film, also commonly referred to as a cult classic, is a film with a cult following. As of 2010, the Oxford English Dictionary defines cult films as "enduring appeal to a relatively small audience", and be "non-mainstream". [1] Sometimes, the definition is expanded to exclude films that have been released by major studios or have big ...
A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major ...
The film's narrator is a male protagonist who provides a subjective voice-over. He is involved in "an erotic triangle" with "a female object of desire" (Marla Singer) and a male antagonist (Tyler Durden). The masculinity in the film differs from noir films by focusing on the upper middle class instead of the lower middle class or the working class.
Postmodernist film is a classification for works that articulate the themes and ideas of postmodernism through the medium of cinema. Some of the goals of postmodernist film are to subvert the mainstream conventions of narrative structure and characterization, and to test the audience's suspension of disbelief. [1][2][3] Typically, such films ...
Feminist film theory. Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of ...
Since 1992, the phenomenon has also been described by various other academics and has been used to describe several other films released since the 1990s. Films of the new queer cinema movement typically share certain themes, such as the rejection of heteronormativity and the lives of LGBTQ protagonists living on the fringe of society. [3] [4]
Feminist science and technology studies (feminist STS) is a theoretical subfield of science and technology studies (STS), which explores how gender interacts with science and technology. The field emerged in the early 1980s alongside other relativist theories of STS which rejected the dominance of technological determinism, proposing that ...