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In music, the Psalms chord is the opening chord of Igor Stravinsky's Symphony of Psalms. It is a "barking E minor triad" [1] that is voiced "like no E-minor triad that was ever known before" [2] – that is, in two highly separate groups, one in the top register and the other in the bottom register. The third of the E-minor triad, rather than ...
Ahe Lau Makani, translated as The Soft Gentle Breeze [5] or There is a Zephyr, [2] is a famous waltz composed by Queen Liliʻuokalani around 1868. Probably written at Hamohamo, the Waikīkī home of the Queen, this song appeared in "He Buke Mele O Hawaii" under the title He ʻAla Nei E Māpu Mai Nei.
A double Anglican Chant with the chords in different colours. Below are the four lines of the doxology Gloria Patri (commonly known as the "Gloria"), with the text coloured to show which words correspond to which notes in the music (pointing varies from choir to choir): Glory be to the Father, and ' to the ' Son : and ' to the ' Ho ly ' Ghost;
"A Psalm of Life" is a poem written by American writer Henry Wadsworth Longfellow, often subtitled "What the Heart of the Young Man Said to the Psalmist". [1] Longfellow wrote the poem not long after the death of his first wife and while thinking about how to make the best of life.
Talbot was born into a Methodist family with a musical background in Oklahoma City, Oklahoma, and started learning to play the guitar at an early age.At age 15, he dropped out of school and was performing as a guitarist for Mason Proffit, a country folk-rock band formed with his older brother Terry.
Voluntary on the Old Hundredth – also called The 100th Psalm tune. Set as a Lesson. This is an organ piece using the psalm tune as a theme, not unlike a chorale prelude, and was meant for church use. Authorship is somewhat dubious, the piece was either written by John Blow or his student Henry Purcell.
You'll Sing a Song and I'll Sing a Song is an album by folk singer Ella Jenkins. She is joined by members of the Urban Gateways Children's Chorus. [ 2 ] It was added to the National Recording Registry by the Library of Congress in 2007.
The work was commissioned for the 1965 Southern Cathedrals Festival at Chichester Cathedral by the cathedral's Dean, Walter Hussey. [2] However, the world premiere took place in the Philharmonic Hall, New York, on 15 July 1965 with the composer conducting, followed by the performance at Chichester on July 31, 1965, conducted by the cathedral's Organist and Master of the Choristers, John Birch.