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Portrait of Fyodor Dostoyevsky in 1872 painted by Vasily Perov. The themes in the writings of Russian writer Fyodor Dostoevsky (frequently transliterated as "Dostoyevsky"), which consist of novels, novellas, short stories, essays, epistolary novels, poetry, [1] spy fiction [2] and suspense, [3] include suicide, poverty, human manipulation, and morality.
The Russian soul evolved and entered into Western consciousness in the following decades, most famously through the work of Fyodor Dostoevsky. In his novels and stories, Dostoevsky exhibited an often anti-European nationalism and frequently suggested a "people's spirit" held together by "unexpressed, unconscious ideas which are merely strongly ...
"The Grand Inquisitor" is a story within a story (called a poem by its fictional author) contained within Fyodor Dostoevsky's 1880 novel The Brothers Karamazov. It is recited by Ivan Fyodorovich Karamazov, during a conversation with his brother Alexei, a novice monk, about the possibility of a personal and benevolent God.
The Dream of a Ridiculous Man" (Russian: Сон смешного человека, Son smeshnovo cheloveka) is a short story by Fyodor Dostoevsky. It chronicles the experiences of a man who decides that there is nothing of any value in the world. Slipping into nihilism with “terrible anguish”, he is determined to commit suicide.
Dostoevsky's paternal ancestors were part of a Russian noble family of Russian Orthodox Christians. The family traced its roots back to Danilo Irtishch, who was granted lands in the Pinsk region (for centuries part of the Polish-Lithuanian Commonwealth, now in modern-day Belarus) in 1509 for his services under a local prince, his progeny then taking the name "Dostoevsky" based on a village ...
Notes from Underground (pre-reform Russian: Записки изъ подполья; post-reform Russian: Записки из подполья, Zapíski iz podpólʹya; also translated as Notes from the Underground or Letters from the Underworld) [a] is a novella by Fyodor Dostoevsky first published in the journal Epoch in 1864.
Raskolnikov answers his question of whether he has the right to kill solely by reference to his own arbitrary will, but, according to Berdyaev, these are questions that can only be answered by God, and "he who does not bow before that higher will destroys his neighbor and destroys himself: that is the meaning of Crime and Punishment".
During the same year, he encountered the work of Fyodor Dostoyevsky, to whom he felt an immediate kinship. [68] He also exchanged letters with Hippolyte Taine and Georg Brandes . Brandes, who had started to teach the philosophy of Søren Kierkegaard in the 1870s, wrote to Nietzsche asking him to read Kierkegaard , to which Nietzsche replied ...