Search results
Results From The WOW.Com Content Network
"Megalovania" (sometimes stylized in all caps) is an instrumental video game song composed by Toby Fox. It was first composed for the Radiation Halloween Hack , a ROM hack of EarthBound , developed for a Mother fansite 's competition in November 2008.
Undertale 's official soundtrack was released by video game music label Materia Collective in 2015, simultaneously with the game's release. [14] Additionally, two official Undertale cover albums have been released: the 2015 metal/electronic album Determination by RichaadEB and Ace Waters, [15] [16] and the 2016 jazz album Live at Grillby 's by Carlos Eiene, better known as insaneintherainmusic ...
The maximum delay required for two consecutive clicks to be interpreted as a double-click is not standardized. According to Microsoft's MSDN website, the default timing in Windows is 500 ms (half a second). [6] The double-click time is also used as a basis for other timed actions. The double-click timing delay can usually be configured by the user.
ID" was also included on the FIFA 16 soundtrack. It was the official anthem of the 2015 Ultra Music Festival. Kygo was asked to create the official anthem of the 2015 Ultra Music Festival. A song was used in their trailer for the Miami festival, which took place in March. The track is simply titled "ID" because it doesn't officially have a name ...
"Click Click Boom" is a song by the American rock band Saliva. It was released in 2000 on their second album Every Six Seconds as the lead single. The song was put on the 2001 Clear Channel memorandum .
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Double Trouble is a featured song in the Jacky Cheung 60+ Tour which opened at The Venetian Macau Cotai Arena on June 8, 2023. The song has a new production set with retro cabaret backdrop, orchestra, choreography for a 20-member dance troupe and features his own footwork.
"Change" received an average rating of 7.75/10 from music blog Idolator based on four editors' reviews. Robbie Daw wrote that the song is "a lovely anthem about tolerance that never teeters toward the overly dramatic," though the reviewers did find the song somewhat "undercooked" compared to some of Aguilera's previous ballads such as 2002's "Beautiful". [11]