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Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects. Some forms that architecture theory takes are the lecture or dialogue, the treatise or book, and the paper project or competition entry ...
An alternative architectural theory based on scientific laws, as for example A Theory of Architecture is now competing with purely aesthetic theories most common in architectural academia. This entire body of work can be seen as balancing and often questioning design movements that rely primarily upon aesthetics and novelty.
An architect is a person trained in the planning, design and supervision of the construction of buildings. Professionally, an architect's decisions affect public safety, and thus an architect must undergo specialized training consisting of advanced education and a practicum (or internship) for practical experience to earn a license to practice architecture.
In 1972, Venturi, Scott Brown and Izenour published the folio, A Significance for A&P Parking Lots, or Learning from Las Vegas. It was revised using the student work as a foil for new theory, and reissued in 1977 as Learning from Las Vegas: the Forgotten Symbolism of Architectural Form. This second manifesto was an even more stinging rebuke to ...
Architects first started seriously studying phenomenology at Princeton University in the 1950s under the influence of Jean Labatut.In the 1950s, architect Charles W. Moore conducted some of the first phenomenological studies of architecture during his doctoral studies under Labatut, drawing heavily on the philosopher Gaston Bachelard, which were published in 1958 as Water and Architecture. [5]
George Spencer-Brown (2 April 1923 – 25 August 2016) was an English polymath best known as the author of Laws of Form. He described himself as a "mathematician, consulting engineer, psychologist , educational consultant and practitioner, consulting psychotherapist , author, and poet".
Space and mass in architecture are not entirely separable: as was noted by George Berkeley in 1709, two-dimensional human vision cannot fully comprehend three-dimensional forms, so the perception of the space is a result of immediate visual sensation and the knowledge of textures pre-acquired through touching (this idea evolved in the 19th ...
Victor Margolin, The Politics of the Artificial: Essays on Design and Design Studies, 2002; Yana Milev, D.A.: A Transdisciplinary Handbook of Design Anthropology, 2013; Michael Schulze, concept and concept of the work. The sculptural design in architectural education, Zurich vdf, Hochschulverlag AG at the ETH Zurich, 2013, ISBN 978-3-7281-3481-3