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Miss Julie is preceded by an author's preface, which is considered a significant manifesto of naturalism in the theatre. In it Strindberg states that the source of the play is an actual story he once heard, which made a strong impression on him, and which "seemed appropriate for tragedy, for it still seems tragic to see someone favored by fortune go under, much more to see a family die out."
Miss Julie featured a biracial cast and the previously unstaged ballet, for which Strindberg provided a scenario in the original script in October 2014. Ivette Dumeng performed the title role, Reginald L. Wilson that of John and Eboni Flowers as Christine in Edgar Chisholm's adaptation, set in Louisiana in 1888, the year the play was written.
Photograph of the first production in Stockholm of August Strindberg's 1888 naturalistic play Miss Julie in November 1906, at The People's Theatre [1] Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create an illusion of reality through a ...
Strindberg modeled his short-lived Scandinavian Experimental Theatre (1889) in Copenhagen on Antoine's theatre and he explored the theory of Naturalism in his essays "On Psychic Murder" (1887), "On Modern Drama and the Modern Theatre" (1889), and a preface to Miss Julie, the last of which is probably the best-known statement of the principles ...
After Miss Julie is a 1995 play by Patrick Marber which relocates August Strindberg's naturalist tragedy, Miss Julie (1888), to an English country house in July 1945. The re-imagining of the events of Strindberg's original are transposed to the night of the British Labour Party's "landslide" election victory.
Miss Julie is an opera by Ned Rorem to an English libretto by Kenward Elmslie, based on the play, Miss Julie (1888), by Swedish playwright August Strindberg. It explores the subject of the intersection of social class and illicit sexual relations in late 19th-century Sweden.
Fröken Julie (1961), translated by E. M. Sprinchorn as Miss Julie; Inferno (1912), translated by Mary Sandbach as Inferno; Leka med elden (1963), translated by Michael Meyer as Playing With Fire; Fröken Julie (1965), adapted by Ned Rorem as Miss Julie (opera) Hemsöborna (1965), translated by Arvid Paulson as Natives of Hemsö
Miss Julie is an English-language opera in two acts, with music and libretto by William Alwyn. His second and final opera, premiered in 1977 as a radio broadcast, Alwyn based his opera on the 1888 play Miss Julie by Swedish playwright August Strindberg .