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Perkin Warbeck's personal history is fraught with many unreliable and varying statements. [3] Warbeck said that he was Richard of Shrewsbury, Duke of York, the younger son of King Edward IV, who had disappeared mysteriously along with his brother Edward V after Richard, Duke of Gloucester, succeeded to the throne as King Richard III following the death of King Edward IV, his eldest brother, in ...
Title page from an 1857 edition of Perkin Warbeck. The Fortunes of Perkin Warbeck: A Romance is an 1830 historical novel by Mary Shelley about the life of Perkin Warbeck.The book takes a Yorkist point of view and proceeds from the conceit that Perkin Warbeck died in childhood and the supposed impostor was indeed Richard of Shrewsbury.
Perkin: A Story of Deception, Jonathan Cape (London, England), 2003, also published as The Perfect Prince: The Mystery of Perkin Warbeck and His Quest for the Throne of England, Random House (New York, NY), 2003 [23] Being Shelley: The Poet's Search for Himself, Pantheon Books (New York, NY), 2007 [24]
Patrick Gibson as Perkin Warbeck, a pretender to the English crown who claims to be Richard of York. Caroline Goodall as Cecily Neville, Duchess of York, the Queen's paternal grandmother. Goodall was the only actor to appear in both The White Queen and The White Princess. Amy Manson as Catherine "Cathy" Gordon, wife of Perkin Warbeck
Articles relating to Perkin Warbeck (c. 1474 – 23 November 1499), pretender to the English throne.Warbeck claimed to be Richard of Shrewsbury, Duke of York, who was the second son of Edward IV and one of the so-called "Princes in the Tower".
The Fortunes of Perkin Warbeck by Mary Shelley (Henry VII and Perkin Warbeck) Wolf Hall by Hilary Mantel (Thomas Cromwell's rise to power) Bring up the Bodies by Hilary Mantel (Thomas Cromwell and Anne Boleyn) The Other Boleyn Girl by Philippa Gregory (Mary Boleyn) Amenable Women by Mavis Cheek (Anne of Cleves) The Fifth Queen by Ford Madox ...
An English Murder is a crime novel by Cyril Hare. [1] Published in 1951, it combines traits of classical Golden Age murder mystery – a group of guests in a snowed in country house – with the realities of post-war Britain.
It was the last book Tey published in her lifetime, shortly before her death. In 1990 it was voted number one in The Top 100 Crime Novels of All Time list compiled by the British Crime Writers' Association. [1] In 1995 it was voted number four in The Top 100 Mystery Novels of All Time list compiled by the Mystery Writers of America.