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Egyptian enamelled glass mosque lamp made for Amir Qawsun, c. 1329–1335 The later plain type hanging in Istanbul. Fine mosque lamps are oil lamps that typically have a large round body and a narrower neck that flares towards the top. [1] They were often made with internal containers to be filled with oil and a wick to produce light. [1]
A prayer rug is characterized by a niche at one end, representing the mihrab in every mosque. The mihrab represents not just the direction of prayer but also a gateway to the divine or a symbolic connection to the mosque architecture. [20] [21] Many rugs also show one or more mosque lamps, a reference to the Verse of Light in the Qur'an.
Roman numerals: for example the word "six" in the clue might be used to indicate the letters VI; The name of a chemical element may be used to signify its symbol; e.g., W for tungsten; The days of the week; e.g., TH for Thursday; Country codes; e.g., "Switzerland" can indicate the letters CH; ICAO spelling alphabet: where Mike signifies M and ...
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Apart from a wide range of open shapes - cups, bowls and dishes, and closed bottle or vase shapes, particular designs include mosque lamps from the Middle Islamic Period, wine bottles from Safavid Persia, and nargileh bases from Mughal India. A variety of vessel forms used to hold a wide range of materials make up the bulk of glass objects ...
Mahya lights stretched across the minarets of the Blue Mosque in Istanbul spell out traditional Ramazan Bayramı wishes ("Let us love, Let us be loved").. Mahya lights are decorative lights which are strung up between the minarets of Turkish mosques to form illuminated words or pictures on festive occasions such as Eid al-Fitr (Ramazan Bayramı), Eid al-Adha (Kurban Bayramı), on Kandil nights ...
In Islamic architecture, the sanctuary or praying-chamber in a mosque, sometimes enclosed with a screen of lattice-work; occasionally, a similar enclosure round a tomb. Mansard roof A curb hip roof in which each face has two slopes, the lower one steeper than the upper; from the French mansarde after the accomplished 17th-century French ...
Mamluk mosque lamp. Between the 8th and early 11th centuries the emphasis in luxury glass was on effects achieved by "manipulating the surface" of the glass, initially by incising into the glass on a wheel and later by cutting away the background to leave a design in relief. [47]