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Sinfonia Concertante in Es für Violin, Viola und Orchester: Score and critical report (in German) in the Neue Mozart-Ausgabe "Mozart:Sinfonia Concertante for violin, viola and orchestra". Viola in Music. 2012; Anderson, Keith (1990). "Liner notes – Mozart: Violin Concerto No. 4 / Sinfonia Concertante, Naxos 8.550332". Naxos
Franz Schubert likewise copied down the music of Mozart's minuet, and the minuet of his Fifth Symphony strongly evokes Mozart's. [17] Zaslaw has suggested that a passage late in Joseph Haydn 's oratorio The Seasons (1801), a meditation on death, quotes the second movement of the 40th Symphony and was included by Haydn as a memorial to his long ...
Mozart only wrote the first 120 bars of the first movement, and only the first 74 bars are completely scored. Alfred Einstein believed that the work was abandoned due to the disbanding of the Mannheim orchestra; however, that had happened earlier that year when the Elector moved to Munich and most of his orchestra followed him, so the Academie ...
Symphony No. 40 (Michael Haydn), F major symphony, MH 507, Perger 32, by Michael Haydn, composed in 1789 Symphony No. 40 (Mozart) , G minor symphony by Wolfgang Amadeus Mozart, composed in 1788 Topics referred to by the same term
Mozart's "37th symphony" is actually Michael Haydn's 25th symphony; Mozart only added a 20-bar slow introduction to it. Some symphonies of uncertain authenticity were included in either the Alte Mozart-Ausgabe or the Neue Mozart-Ausgabe ; they are in this list but marked as uncertain or spurious (in the cases of K. 16a and K. 98, which later ...
Wolfgang Amadeus Mozart's Rondo in B ♭ for Violin and Orchestra, K. 269/261a, likely was composed between 1775 and 1777 as a replacement finale for the Violin Concerto No. 1, K. 207. Like the Adagio in E and Rondo in C , the Rondo in B ♭ was requested by Italian violinist Antonio Brunetti and Mozart composed the new finale for that work.
Violin Concerto No. 5 in E-flat major, Op. 17 (1807) Symphony No. 1 in E-flat major, Op. 20 (1811) Alruna, die Eulenkönigin (Overture), Op. 21; Potpourri No. 2 in B-flat major on themes by Mozart for Violin & String Quartet (with Bass ad libitum), Op. 22; Potpourri No. 3 in G major on themes by Mozart for Violin & Orchestra, Op. 23
The slow movement has a siciliano character and meter which was rare in Mozart's earlier symphonies (only used in one of the slow movements of the "Paris") but would appear frequently in later works such as No. 38 and No. 40. [3] The next symphony by Mozart is Symphony No. 38. The work known as "Symphony No. 37" is mostly by Michael Haydn. [4]