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As Neal Zaslaw has pointed out, writers on Mozart have often suggested – or even asserted – that Mozart never heard his 40th Symphony performed. Some commentators go further, suggesting that Mozart wrote the symphony (and its companions, Nos. 39 and 41) without even intending it to be performed, but rather for posterity, as (to use Alfred Einstein's words) an "appeal to eternity".
Sinfonia Concertante in Es für Violin, Viola und Orchester: Score and critical report (in German) in the Neue Mozart-Ausgabe "Mozart:Sinfonia Concertante for violin, viola and orchestra". Viola in Music. 2012; Anderson, Keith (1990). "Liner notes – Mozart: Violin Concerto No. 4 / Sinfonia Concertante, Naxos 8.550332". Naxos
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Symphony No. 1: Score and critical report (in German) in the Neue Mozart-Ausgabe; Symphony No. 2 is considered spurious: Symphony No. 3 is considered spurious: 19 19 Symphony No. 4: D major: 10:40 1765 London Symphony No. 4: Score and critical report (in German) in the Neue Mozart-Ausgabe; Anh. 223 19a Symphony, K. 19a: F major: 1765 London
Mozart only wrote the first 120 bars of the first movement, and only the first 74 bars are completely scored. Alfred Einstein believed that the work was abandoned due to the disbanding of the Mannheim orchestra; however, that had happened earlier that year when the Elector moved to Munich and most of his orchestra followed him, so the Academie ...
Symphony No. 40 may refer to: Symphony No. 40 (Haydn), F major symphony by Joseph Haydn, composed in 1763; Symphony No. 40 (Michael Haydn), F major symphony, MH 507, Perger 32, by Michael Haydn, composed in 1789; Symphony No. 40 (Mozart), G minor symphony by Wolfgang Amadeus Mozart, composed in 1788
Violin Concerto No. 5 in E-flat major, Op. 17 (1807) Symphony No. 1 in E-flat major, Op. 20 (1811) Alruna, die Eulenkönigin (Overture), Op. 21; Potpourri No. 2 in B-flat major on themes by Mozart for Violin & String Quartet (with Bass ad libitum), Op. 22; Potpourri No. 3 in G major on themes by Mozart for Violin & Orchestra, Op. 23
An orchestral reduction is a sheet music arrangement of a work originally for full symphony orchestra (such as a symphony, overture, or opera), rearranged for a single instrument (typically piano or organ), a smaller orchestra, or a chamber ensemble with or without a keyboard (e.g. a string quartet).