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The Pramuka Movement of Indonesia (Indonesian: Gerakan Pramuka Indonesia), [1] officially the Praja Muda Karana Scouting Movement (Indonesian: Gerakan Kepanduan Praja Muda Karana), is the national scouting organization of Indonesia.
Fragment of Hindu god Vishnu discovered in Batujaya archaeological site, West Java. Purnawarman probably is the most well-known king of Tarumanagara because he produced quite a number of well documented inscriptions. The records about Tarumanagara's later kings were scarce and obscure, most were known from later manuscripts and local traditions.
The Hikayat Aceh text reveals that the spread of Islam in northern Sumatra was carried out by an Arab scholar named Sheikh Abdullah Arif in 1112. The book Zhufan Zhi (諸蕃 志), written by Zhao Rugua in 1225, cited the record of a geographer, Chou Ku-fei, in 1178 that there is a Muslim country with only five days of voyage from Java .
Pramuka may refer to: Gerakan Pramuka Indonesia, an Indonesian scout movement; ... Indian Hindu saint Pramukh Swami Medical College, Karamsad, Gujarat, India;
The Sultanate of Aceh, officially the Kingdom of Aceh Darussalam (Acehnese: Acèh Darussalam; Jawoë: اچيه دارالسلام ), was a sultanate centered in the modern-day Indonesian province of Aceh. It was a major regional power in the 16th and 17th centuries, before experiencing a long period of decline.
Sultan Alauddin Ri'ayat Syah Sayyid al-Mukammal (died 1605) was the tenth Sultan of Aceh in northern Sumatra, ruling from 1589 to 1604.His reign is important since it saw the arrival of three new European powers to the region of the Melaka Straits: the Dutch, English and French.
The Hikayat Aceh described Iskandar Muda as a scion of the lineage (nasab) and race (bangsa) of Iskandar Zulkarnain, Alexander the Great. Through this statement, the hikayat presented Aceh as a part of the Malay world, since Iskandar Zulkarnain was the purported ancestor of the Melaka , Johor , Perak and Pahang rulers.
The statues of Hindu gods and Buddhist deities in Majapahit art were also the continuations of its previous Singhasari art. The statues of East Javanese period tends to be a stiffer and frontal-formal pose, compared to the statues of Central Javanese art (c. 9th century) that are more Indianized style, relaxed in tribhanga pose.