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The Thanatos Painter (5th century BCE) was an Athenian Ancient Greek vase painter who painted scenes of death on white-ground cylindrical lekythoi. [1] All of the Thanatos Painter's found lekythoi have scenes of or related to death ( thanatos in Greek) on them, including the eponymous god of death Thanatos carrying away dead bodies.
ZZ Packer, writer; born in Chicago; lived in Louisville in her teens and graduated from Seneca High School in 1990; Bill Plaschke, Los Angeles sports columnist, panelist on ESPN's Around the Horn; George Dennison Prentice, newspaper editor and journalist for the Louisville Journal; Scott Ritcher, magazine publisher of K Composite Magazine, musician
These lekythoi also had depiction of death on them and thanatos is the Greek word for death. They were used as grave markers and would hold special oil used for funerals. Another example of pottery being used in funerary contexts is the Eleusis Amphora by the Polyphemos painter, which is a neck amphora that dates back to the Middle Protoattic ...
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The Louisville Journal was an organ of the Whig Party and was founded and edited by George D. Prentice, a New Englander who initially came to Kentucky to write a biography of Henry Clay. [5] Prentice edited the Journal for more than 40 years. In 1844, another newspaper, the Louisville Morning Courier, was founded in Louisville by Walter Newman ...
The Louisville Times was a newspaper that was published in Louisville, Kentucky. It was founded in 1884 by Walter N. Haldeman, [ 5 ] as the afternoon counterpart to The Courier-Journal , the dominant morning newspaper in Louisville and the commonwealth of Kentucky for many years.
The Athena Painter, along with the Theseus Painter, continued the tradition of painting large standard lekythoi. His black-figure work was of high quality. Apart from lekythoi, he mainly painted oinochai. Some archaeologists identify him with the red-figure Bowdoin Painter. [2] They may, however, simply have worked in the same workshop.
The vessels of the Reed Painter are typical of white-ground lekythoi in that they often focus on real people, in contrast to the earlier black-figure tradition that featured scenes of mythical figures pertaining to Dionysiac cult. [1] The purpose of the lekythos is often reflected in its subject matter.