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The Yogashikha is an ancient text, states Mircea Eliade, who suggests a relative chronology.He dates it to the same period when the following Hindu texts were composed – Maitri Upanishad, the didactic parts of the Mahabharata, the chief Sannyasa Upanishads and along with other early Yoga Upanishads such as Brahmabindu, Brahmavidya, Tejobindu, Yogatattva, Nadabindu, Kshurika, Dhyanabindu and ...
Yoga Upanishads are a group of minor Upanishads of Hinduism related to Yoga. There are twenty Yoga Upanishads in the anthology of 108 Upanishads listed in the Muktika anthology. [1] [2] The Yoga Upanishads, along with other minor Upanishads, are generally classified separate from the thirteen major Principal Upanishads considered to be more ...
The Yoga-Kundalini Upanishad is a common era text, composed sometime after Yogasutras. [14] Banerjea states that the Yoga-Kundalini text, like many late Yoga Upanishads, deals with yogic concepts and methods taught by Siddha Yogi teachers such as Gorakhnath, an 11th-century yogi.
The Dhyanabindu Upanishad is of ancient origins, states Mircea Eliade, who places its relative chronology to the same period when the following Hindu texts were composed – Maitri Upanishad, the didactic parts of the Mahabharata, the chief Sannyasa Upanishads and along with other early Yoga Upanishads such as Brahmabindu, Brahmavidya, Tejobindu, Yogatattva, Nadabindu, Yogashikha, Kshurika and ...
Yogatattva Upanishad emphasizes Hatha yoga (shown). [40] In the Upanishad, Vishnu states to Brahma that Yoga is one, [41] in practice of various kinds, the chief are of four types – Mantra Yoga is the practice through chants, Laya Yoga through deep concentration, Hatha Yoga through exertion, and Raja Yoga through meditation. [1]
The Ten Principal Upanishads is an English version of the Upanishads translated by the Irish poet W. B. Yeats and the Indian-born mendicant-teacher Shri Purohit Swami.The translation process occurred between the two authors throughout the 1930s and the book was published in 1938; it is one of the final works of W. B. Yeats.
The text is notable for its discussion of sexual fluids over verses 55 to 64, calling it bindu of two colors: Shukla (pale white, male) and Rajas (red, female). [24] The text asserts that both have creative powers, the Shukla is Brahman (universal principle) and the Rajas is the Shakti (energy, power). [ 24 ]
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