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Proprietary Signature Bronze: A patented cymbal alloy introduced in 1989, with the Signature line. According to the patent, this alloy consists of phosphor bronze with a 14.7% to 15.1% tin content by weight. It has been claimed by Paiste to be the first bronze alloy specifically developed for cymbals.
There is a minority view that the word "bronze" should be reserved for two-phase alloys, which may be their usage here. Unlike cymbals, some gongs are made from several different metals fused together. Many different metals have been used. Parts of some traditional gongs, notably the bosses of some "nipple" gongs, are made from iron based alloys.
A chau gong is made of copper-based alloy, bronze, or brass. It is almost flat except for the rim, which is turned up to make a shallow cylinder. On a 25-centimetre (10 in) gong, for example, the rim extends about 1 cm (1 ⁄ 2 in) perpendicular to the surface. The main surface is slightly concave when viewed from the direction to which the rim ...
Paiste has been using this technique and the same type of machines since at least the mid 50’s or earlier. The next step is fine tuning: a different cymbal-smith now hammers the cymbal by hand to fine tune the shape and checks the bow with a ruler and on a steel flat table to make sure the edges are straight, he also checks the cymbal against ...
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs.
The bonang is an Indonesian musical instrument used in the Javanese gamelan. [1] It is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame (rancak), either one or two rows wide. All of the kettles have a central boss, but around it the lower-pitched ones have a flattened head ...
Kulintang (Indonesian: kolintang, [13] Malay: kulintangan [14]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .