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Phillips used the same technique (always with the Mallock source material) in many of his other works, including the illustration of his own translation of Dante's Inferno (published in 1985). He was also fond of re-using images from postcards (which he avidly collected), as well as drawing stencil-style lettering, freehand.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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Tom Phillips (Australian artist), Australian painter, winner of the 2022 Guildhouse Fellowship; Tom Phillips (musician), American musician in the band While Heaven Wept; Tom Phillips, Australian film producer, producer of Lesbian Space Princess (2024) Tom Phillips, author of 2018 non-fiction book Humans: A Brief History of How We F*cked It All Up
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
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