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The performing arts is a form of entertainment that is created by the artist's own body, face and presence as a medium. There are many skills and genres of performance; dance, theatre and re-enactment being examples. Performance art is a performance that may not present a conventional formal linear narrative.
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" [1] or "support"). [2] The medium is commonly applied to the base with a brush , but other implements, such as knives, sponges, and airbrushes , may be used.
According to Clement Greenberg, who helped popularize the term, medium specificity holds that "the unique and proper area of competence" for a form of art corresponds with the ability of an artist to manipulate those features that are "unique to the nature" of a particular medium. [2] For example, in painting, literal flatness and abstraction ...
John's Diner with John's Chevelle, 2007 John Baeder, oil on canvas, 30×48 inches. Photorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium.
Artists' charcoal is charcoal used as a dry art medium. Both compressed charcoal (held together by a gum or wax binder) and charcoal sticks (wooden sticks burned in a kiln without air) are used. [1] The marks it leaves behind on paper are much less permanent than with other media such as graphite, and so lines can easily be erased and blended.
Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate. It is similar to collage, a two-dimensional medium. It is part of the visual arts and it typically uses found objects, but is not limited to these materials.
Medium essentialism is a philosophical theory stating that each artform has its own distinctive medium, and that the essence of such an artform is dependent on its particular medium. [1] In practice, the theory argues that every artwork should manifest its essential properties, those which no other artform can employ.
In recent years, artists like Jerry Spagnoli, Adam Fuss, Patrick Bailly-Maître-Grand, Alyssa C. Salomon, [153] and Chuck Close have reintroduced the medium to the broader art world. The use of electronic flash in modern daguerreotype has solved many of the problems connected with the slow speed of the process when using daylight.