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The end-blown flute began to be seen in illustration in the 11th century. [11] Transverse flutes entered Europe through Byzantium and were depicted in Greek art about 800 AD. [12] The transverse flute had spread into Europe by way of Germany, and was known as the German flute. [12]
Double Contrabass. Hyperbass. The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a “flautist” in British English, and a “flutist” in American English.
Theobald Böhm, photograph by Franz Hanfstaengl, ca. 1852. Theobald Böhm (or Boehm) (9 April 1794 – 25 November 1881) was a German inventor and musician, who greatly improved the modern Western concert flute and its fingering system (now known as the "Boehm system").
Signature. Johann Joachim Quantz (German: [kvants]; 30 January 1697 – 12 July 1773) was a German composer, flutist and flute maker of the late Baroque period. Much of his professional career was spent in the court of Frederick the Great. Quantz composed hundreds of flute sonatas and concertos, and wrote On Playing the Flute, an influential ...
Recorder players. The recorder is a family of woodwind musical instruments in the group known as internal duct flutes: flutes with a whistle mouthpiece, also known as fipple flutes, although this is an archaic term. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes ...
Maximilian Schwedler (March 31, 1853 – January 16, 1940) was a German flutist, flute maker and music editor and historian. He was influential as Germany's last major advocate for the conical-bore flute, for which he made many improvements. In 1898 he received a patent for the Reformflöte "System Schwedler-Kruspe" (Modell 1898), also known as ...
The Magic Flute (German: Die Zauberflöte, pronounced [diː ˈtsaʊbɐˌfløːtə] ⓘ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue.
A key system inspired by Boehm's for the clarinet family is also known as the "Boehm system", although it was developed by Hyacinthe Klosé and not Boehm himself. The Boehm system was also adapted for a small number of flageolets. Boehm did work on a system for the bassoon, and Boehm-inspired oboes have been made, but non-Boehm systems remain ...