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Kittinger Company furniture was used extensively in the redesign since this company was the sole licensee of furniture for the Colonial Williamsburg Foundation's famous program to produce exact reproductions of 18th century antiques. [6] Included in the redesign was a new conference table and chairs for the cabinet room.
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
Louis XVI furniture is characterized by elegance and neoclassicism, a return to ancient Greek and Roman models. Much of it was designed and made for Queen Marie Antoinette for the new apartments she created in the Palace of Versailles , Palace of Fontainebleau , the Tuileries Palace , and other royal residences.
By the mid-18th century the firm was one of the leading cabinet-makers in Lancaster. [4] They had a reputation for manufacturing very high quality furniture. [1] [5] By the end of the 1700s most of the firm's partners were based in London. [6] The firm merged with a Liverpool firm in 1897 to form Waring & Gillow.
Thomas Shearer (fl. 1788) [1] was an 18th-century English furniture designer and cabinet-maker. Shearer was a craftsman and the author of most of the plates in The Cabinet Maker's London Book of Prices and Designs of Cabinet Work, issued in 1788 "for the London Society of Cabinet Makers." The majority of these plates were republished separately ...
Eliphalet Chapin (1741–1807) was a cabinetmaker and furniture maker in East Windsor, Connecticut in the late 18th century. His style of furniture design is regarded as one of the most elegant of its time. Chapin was born in Massachusetts; his family were woodworkers, and he too entered the trade.