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All these fencing methods are always characterized to be a "scherma accompagnata", meaning a kind of fencing that always actively uses both hands, with or without a weapon (sword and dagger, two swords, sword and buckler, sword and cape, dagger and cape, two sticks, two daggers, etc.) and in any case it always makes use of the unarmed hand in ...
Electric épée fencing: Diego Confalonieri (left) and Fabian Kauter in the final of the Trophée Monal While the modern sport of fencing has three weapons — foil, épée, and sabre, each a separate event — the épée is the only one in which the entire body is the valid target area (the others are restricted to varying areas above the waist).
From sword and buckler to sword and dagger, sword alone to two-handed sword, from polearms to wrestling (though absent in Manciolino), early 16th-century Italian fencing reflected the versatility that a martial artist of the time was supposed to have achieved. [7]
Fencing is a combat sport that features sword fighting. [1] The three disciplines of modern fencing are the foil, the épée, and the sabre (also saber); each discipline uses a different kind of blade, which shares the same name, and employs its own rules. Most competitive fencers specialise in one discipline.
Nova Scrimia is an Italian organisation which promotes the teaching of the Italian school of swordsmanship, of stick fencing, of short range fencing (dagger) and of unarmed fencing (including grappling like "Abrader" or striking like "mani libere") from the documented period that goes from the 15th century to the 20th century.
The first known English use of fence in reference to Renaissance swordsmanship is in William Shakespeare's Merry Wives of Windsor, (act i, scene 1), "with playing at sword and dagger with a master of fence," , [8] and later, (act 2, scene 3) "Alas sir, I cannot fence" [9] the term "fencer" is used in Much Ado About Nothing, "blunt as the fencer ...