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New York, I Love You is a 2008 American romantic comedy-drama anthology film consisting of eleven short films, each by a different director. The shorts all relate in some way to the subject of love and are set among the five boroughs of New York City .
5 to 7 is a 2014 American romantic film written and directed by Victor Levin and starring Anton Yelchin, Bérénice Marlohe, Olivia Thirlby, Lambert Wilson, Frank Langella, Glenn Close and Eric Stoltz. Yelchin plays Brian, a 24-year-old writer who has an affair with a 33-year-old married French woman, Arielle (Marlohe).
Since the start of 2025, the company has released 31 movies on YouTube, all available for free. The movies include ads, unless you are a YouTube Premium subscriber. Warner Bros. has published a ...
A Rainy Day in New York is a 2019 American romantic comedy film written and directed by Woody Allen, and starring Timothée Chalamet, Elle Fanning, Selena Gomez, Jude Law, Diego Luna, and Liev Schreiber. The film follows the romantic exploits of two young college students, Gatsby and Ashleigh (Chalamet and Fanning), while on a weekend visit to ...
In the history of motion pictures in the United States, many films have been set in New York City, or a fictionalized version thereof. The following is a list of films and documentaries set in New York, however the list includes a number of films which only have a tenuous connection to the city. The list is sorted by the year the film was released.
New York, New York is a 1977 American romantic musical film directed by Martin Scorsese from a screenplay by Earl Mac Rauch and Mardik Martin, based on a story by Rauch. John Kander and Fred Ebb wrote several songs for the film, including " New York, New York " which became a global phenomenon.
4. Miracle on 34th Street (1947). Cast: Maureen O'Hara, John Payne, Edmund Gwenn Rating: NR Director: George Seaton Run time: 96 minutes Reviews: Rotten Tomatoes 96% | IMDb 7.9/10 Genre: Comedy ...
Janet Maslin of The New York Times wrote, "It takes a while to get past the strained, wide-eyed ingenuousness of A Couch in New York, in which [Akerman's] solemn side and Mr. Hurt's own gravity are never out of reach", but added that "once the film moves past its initial vapidity, it takes on a reasonably blithe aura of romance", concluding, "Coming from Ms. Akerman, this is pleasant but ...