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Minima Moralia: Reflections from Damaged Life (German: Minima Moralia: Reflexionen aus dem beschädigten Leben) is a 1951 critical theory book by German philosopher Theodor W. Adorno. Adorno started writing it during World War II , in 1944, while he lived as an exile in America, and completed it in 1949.
Adorno's own recently published Minima Moralia was not only well received in the press, but also met with great admiration from Thomas Mann, who wrote to Adorno from America in 1952: I have spent days attached to your book as if by a magnet. Every day brings new fascination ... concentrated nourishment.
The following is a list of the major work by Theodor W. Adorno, a 20th-century German philosopher, sociologist and critical theorist associated closely with the Frankfurt School. This list also includes information regarding English translation.
Adorno's work has had a large impact on cultural criticism, particularly through Adorno's analysis of popular culture and the culture industry. [10] Adorno's account of dialectics has influenced Joel Kovel, [11] the sociologist and philosopher John Holloway, the anarcho-primitivist philosopher John Zerzan, [12] the sociologist Boike Rehbein, [13] and the Austrian musicologist Sebastian Wedler.
[9]: 711–2 Max Horkheimer, from the Institute of Social Research in Frankfurt, and Adorno, conducted the research for these studies. [9] Starting in 1944, the exiled Institute was hired by the JLC to conduct a study led by Leo Löwenthal and others, with assistance from Adorno. Their 1500-page report based on empirical data on "Antisemitism ...
The Institute for Social Research, Frankfurt am Main, Germany. The term "Frankfurt School" describes the works of scholarship and the intellectuals who were the Institute for Social Research, an adjunct organization at Goethe University Frankfurt, founded in 1923, by Carl Grünberg, a Marxist professor of law at the University of Vienna. [5]
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A broad consensus traces the form of Adorno's Minima Moralia back to One Way Street. [5] Adorno's lesser known work, The Jargon of Authenticity , traces and invokes the rivalry between Benjamin and Heidegger in their work on the territory of the Theory of Categories —expressed via antithetical and mutually antagonistic rhetorical strategies ...