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His poem "Metai" (The Seasons) is considered the most successful hexameter text in Lithuanian as yet. For dactylic hexameter poetry in Hungarian language, see Dactylic hexameter#In Hungarian. Albert Meyer (1893–1962) used a natural form of hexameter in his translation of some verses from Homer's Odyssey into the Swiss dialect of Bern. [3]
A hexameter line can be divided into six feet (Greek ἕξ hex = "six"). In strict dactylic hexameter, each foot would be a dactyl (a long and two short syllables, i.e. – u u), but classical meter allows for the substitution of a spondee (two long syllables, i.e. – –) in place of a dactyl in most positions. Specifically, the first four ...
The poem's exact authorship, origin, and style of writing are still controversial. According to K.W. Taylor, the account of the poem comes from the 14th-century Buddhist scripture Thiền uyển tập anh and if the story of the poem is true, then the poem could not have been sung in the form it currently exists today.
The "Kiln" (Ancient Greek: Κάμινος, Kaminos), or "Potters" (Κεραμεῖς, Kerameis), is a 23-line hexameter poem that was variously attributed to Homer or Hesiod during antiquity, but is not considered the work of either poet by modern scholars. [1]
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Khiêm was also a poet, composing many poems in Chinese and Nôm that have survived to this day. There is a long poem attributed to him called Sấm Trạng Trình (讖狀程, The Prophecies of Trạng Trình). [4] (Trạng Trình is one of Khiêm's nicknames.) This is the Vietnamese equivalent of the Nostradamus quatrains. It is suggestive ...
Nearly all the poems of Sappho and Alcaeus are composed in strophes (stanzas) of two, three, or four verses, in which at least one line would be different from the others. [10] The most common rhythm is the glyconic (x x – ᴗ ᴗ – ᴗ x), but this could be expanded or varied in a number of ways.
The Latin rhythmic hexameter [1] or accentual hexameter [2] is a kind of Latin dactylic hexameter which arose in the Middle Ages alongside the metrical kind. The rhythmic hexameter did not scan correctly according to the rules of classical prosody; instead it imitated the approximate sound of a typical metrical hexameter by having roughly the same number of syllables and putting word accents ...