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Zuckermann, Wolfgang (1969) The Modern Harpsichord: Twentieth Century Instruments and Their Makers, New York : October House, ISBN 0-8079-0165-2; The New Grove: Early Keyboard Instruments. Macmillan, 1989 ISBN 0-393-02554-3. (material from here is also available online in Grove Music Online) Beurmann, Andreas (2012) Harpsichords and More ...
Of the Hass family instruments, Frank Hubbard wrote that 'only one has what could be regarded as a normal disposition.' Their surviving harpsichords show an attempt to develop the instrument in a number of ways: one from 1721 is 2.58 m long, and one from 1723 has the unusual disposition 8' 8' 8' 4'. Hass occasionally used a 16' set of strings ...
Hans Ruckers was a Catholic and had 11 children, two of whom became harpsichord makers, and his daughter Catharina (to whom harpsichord maker Willem Gompaerts (c.1534 – after 1600) was godfather) married into the instrument-making Couchet family, ensuring a strong continuation of both dynasties; his son Joannes continued in the family craft.
Others are known only through one or two instruments that have serendipitously survived, but are included because these instruments have proven a popular inspiration to modern builders who copy them. Some of the makers who started the historically informed harpsichord revival are also included.
This consisted of two instruments in one: a normal virginals (either spinet or muselar) with one 8′ register, and an ottavino with one 4′ register. The smaller ottavino was stored (rather like a drawer) under the soundboard next to the keyboard of the larger instrument, and could be withdrawn and played as a separate keyboard instrument.
At the time of the publication of his book, Three Centuries of Harpsichord Making, in 1965, Ralph Kirkpatrick wrote that "he unquestionably knows more about the history and construction of harpsichords than anyone alive today". He developed a harpsichord in 1963 based on a Pascal Taskin instrument of 1769 which was sold as a do-it-yourself kit ...
By 1960 Russell had decided to donate his collection to Edinburgh University, where it was to become the nucleus of a centre for research in keyboard performance practice and organology, but this plan was not completed by the time of his sudden death in Malta in 1964 at the age of forty-one. [1] Later that year, in his memory and in accordance ...
The Couchet family were Flemish harpsichord and virginal makers in Antwerp, closely associated with, and descendants of, the Ruckers family. Harpsichord by Jan Couchet, 1646 with later ravalement, MIM Brussels. Joannes Couchet (or Jan Couchet) (2 February 1615 – 30 March 1655) was a grandson of Hans Ruckers.