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This is an accepted version of this page This is the latest accepted revision, reviewed on 8 March 2025. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
John Louis O'Sullivan (November 15, 1813 – March 24, 1895) was an American columnist, editor, and diplomat who coined the term "manifest destiny" in 1845 to promote the annexation of Texas and the Oregon Country to the United States. [1]
Adams’ treaty “was a crucial step in fulfilling America’s Manifest Destiny,” expanding U.S. territory for the first time from the Atlantic to the Pacific oceans, American History Central ...
Here’s historian Robert Merry in his essential book on Polk, ... One hundred and eighty years after Manifest Destiny had its vogue, Trump is back with a new version that goes north and south ...
Within the left half of the picture is a depiction of the entrance to the San Francisco Bay, the Golden Gate, which is being pointed to by the pilgrim seated atop the rock in the foreground. Within the right hemisphere of the painting is a depiction of a valley, representing the Valley of Darkness and symbolic of the troubles faced by explorers.
"Go West, young man" is a phrase, the origin of which is often credited to the American author and newspaper editor Horace Greeley, concerning America's expansion westward as related to the concept of Manifest destiny. No one has yet proven who first used this phrase in print, although 21st century analysis supports Greeley as the phrase ...
The West as America, Reinterpreting Images of the Frontier, 1820–1920 was an art exhibition organized by the Smithsonian American Art Museum (then known as the National Museum of American Art, or NMAA) in Washington, D.C. in 1991, featuring a large collection of paintings, photographs, and other visual art created during the period from 1820 to 1920 which depicted images and iconography of ...