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Kalos kagathos or kalokagathos (Ancient Greek: καλὸς κἀγαθός [kalòs kaːɡatʰós]), of which kalokagathia (καλοκαγαθία) is the derived noun, is a phrase used by classical Greek writers to describe an ideal of gentlemanly personal conduct, especially in a military context.
Understanding Greek Vases: A Guide to Terms, Styles, and Techniques. Getty Publications. ISBN 978-0-89236-599-9. Neil W. Slater. "The Vase as Ventriloquist: Kalos-inscriptions and the Culture of Fame", in Signs of Orality: The Oral Tradition and its Influence in the Greek and Roman World (ed. E. Anne Mackay). Leiden: Brill, 1999, pp. 143–161.
Saint Thomas derives the six explicitly as transcendentals, [8] though in some cases he follows the typical list of the transcendentals consisting of the One, the Good, and the True. The transcendentals are ontologically one and thus they are convertible: e.g., where there is truth, there is being and goodness also.
The Form of the Good, or more literally translated "the Idea of the Good" (ἡ τοῦ ἀγαθοῦ ἰδέα [a]), is a concept in the philosophy of Plato.In Plato's Theory of Forms, in which Forms are defined as perfect, eternal, and changeless concepts existing outside space and time, the Form of the Good is the mysterious highest Form and the source of all the other Forms.
Meaning "either you will win the battle, or you will die and then be carried back home on your shield; but you will not throw your shield away to flee." It was said by Spartan mothers to their sons before they went out to battle to remind them of their bravery and duty to Sparta and Greece.
It derives from the Greek Λυδία, Ludía, [1] [2] [3] from λυδία (ludía; "beautiful one", "noble one", "from Lydia/Persia"), a feminine form of the ancient given name Λυδός . The region of Lydia is said to be named for a king named Λυδός; the given name Lydia originally indicated ancestry or residence in the region of Lydia.
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
ἀδιάφορα: indifferent things, neither good nor bad. agathos ἀγαθός: good, proper object of desire. anthrôpos ἄνθρωπος: human being, used by Epictetus to express an ethical ideal. apatheia ἀπάθεια: serenity, peace of mind, such as that achieved by the Stoic sage. aphormê