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This is a list of mandolinists, people who have specifically furthered the mandolin by composing for it, by playing it, or by teaching it. They are identified by their affiliation to the instrument. They are identified by their affiliation to the instrument.
Stephens was born in Bickley, Kent, and educated at James Allen's Girls' School and Haileybury and began playing the mandolin at the age of seven, inspired by her father, who had played the instrument during the Second World War. [2] She was the first graduate in the instrument from Trinity College of Music in London. [3]
John Sheahan and the late Barney McKenna, respectively fiddle player and tenor banjo player with the Dubliners, are also accomplished Irish mandolin players. The instruments used are either flat-backed, oval hole examples as described above (made by UK luthier Roger Bucknall of Fylde Guitars), or carved-top, oval hole instruments with an arched ...
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The Blue Night Express band lasted for nearly seven years and Sharon played with the band from age nine to sixteen. Eventually, the Erwin sisters teamed up with Robin Lynn Macy and Laura Lynch, two women they had met over the years, forming the first lineup of a new band playing predominantly bluegrass, named the Dixie Chicks. Sharon and Troy ...
Jenee Fleenor is an American musician. A singer-songwriter, she plays the fiddle, mandolin and acoustic guitar and has performed with various musicians and bands. In 2019, she became the first woman to be nominated and to win the Country Music Association's Musician of the Year and the first fiddle player to win the award in over 20 years. [2]
In 1787, Luigi Bassi played the role of Don Giovanni in Mozart's opera, serenading a woman with a mandolin. This used to be the common picture of the mandolin, an obscure instrument of romance in the hands of a Spanish nobleman [7] Mandolins evolved from lutes, a family of instruments in Europe.
At age 3 he played the organ of the Chapel Royal in St James's Palace. [15] Solomon Cutner: 1902 Piano 8 Performed at Queen's Hall London, June 1911, when he played Mozart's Concerto No.15 in B flat, K.450, as well as the central movement of the Tchaikovsky first concerto, and finally the Polacca by Alice Verne-Bredt. [16] Georges Cziffra: 1921 ...