Search results
Results From The WOW.Com Content Network
Andrew John Sweet (November 9, 1953 – October 17, 1982) was an American photographer known for his documentary photography and street photography.He photographed the life and residents of South Beach, with a particular focus on the Jewish community, many of them Holocaust survivors. [1]
[3] [4] In 1897, The Record was founded by H.C. Brandon; the two Democratic weeklies would be merged with the Herald to form the Miami Record-Herald in 1904. [3] [5] The Record-Herald went to a daily publication schedule in 1917. [3] A subsequent merger with the Republican Miami District Daily News in 1924 produced the earliest News-Record.
Pages in category "People from Miami, Oklahoma" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes. A.
The George L. Coleman Sr. House, at 1001 Rockdale St. in Miami, Oklahoma, was built in 1918.It was listed on the National Register of Historic Places in 1983. The listing included two contributing buildings and a contributing structure.
Kika de la Garza (1927-2017) – former U.S. Congressman from Texas, former member of the Texas House of Representatives Reynaldo Guerra Garza (1915–2004) – first Hispanic judge appointed to the U.S. Court of Appeals ( Fifth Circuit ), former judge on the United States District Court for the Southern District of Texas
English: Marathon station in Miami, Oklahoma This is an image of a place or building that is listed on the National Register of Historic Places in the United States of America . Its reference number is 95000041 .
The John Patrick McNaughton Barn, also known as the McNaughton Barn or the Max Mirage View Farm Barn, is a 3½ story wooden barn located in Ottawa County near Miami, Oklahoma. Built on a rising hill in 1893 as a multi-purpose barn, the McNaughton Barn is still in use today at the Ankenman Ranch, a working cattle ranch .
Herbert and Dorothy Vogel. Herbert Vogel (August 16, 1922 – July 22, 2012) and Dorothy Vogel (born 1935), once described as "proletarian art collectors," [1] worked as civil servants in New York City for more than a half-century while amassing what has been called one of the most important post-1960s art collections in the United States, [2] mostly of minimalist and conceptual art. [3]