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Moreover, Central African/Congo influences are also documented in both son cubano and changüí, and initially the development of the bongo drum was in parallel with these genres. From such conceptual African drum models, the bongo developed further in Cuba itself, and some historians state that the attaching of the two drums was a later ...
A pair of congas. Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo.
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Leon "Chaino" Johnson (1927 – July 8, 1999, pronounced: "Cha-ee-no"), the self-styled "percussion genius of Africa," [1] was an American bongo player. After touring for several years on the Chitlin' Circuit, he released several albums and became popular with listeners of exotica music in the late 1950s and early 1960s.
In 1972, Nze Dan Orji, and Raphael Amarabem formed the Peacocks International Band. The band’s first single, “Sambola Mama,” was the first truly popular Bongo music. It would go on to sell 150,000 copies in Ghana, and more than double that amount in Nigeria. The 1970s and ‘80s marked the strongest periods in the trajectory of Bongo ...
In Ogu tradition, the Sato is a revered twin drum, comprising male and female single-faced drums made from the Iroko tree and an animal-skin membrane. The Sato drum is played at major festivals and ceremonies. Each of the two drums is commonly beaten by a four-member group of drummers, who dance energetically around the tall drums.