Search results
Results From The WOW.Com Content Network
Jagte Raho (transl. Stay Awake or Stay Alert) is a 1956 Hindi/Bengali film, directed by Amit Maitra and Sombhu Mitra, written by Khwaja Ahmad Abbas, and produced by and starring Raj Kapoor. [2] The film centers on the trials of a poor villager (Kapoor) who comes to a city in search of a better life.
The development of Bengali novel was fueled by colonial encounter, booming print culture, growth of urban centers, and increased middle-class readership [1] Upanyas, the Bangla word for novel, is derived from the words upanay and upanyasta. [2]
Satyanweshi (Bengali: সত্যান্বেষী, romanized: Śatyānneṣī, lit. 'The Truth Seeker') also spelled Satyanveshi, is a detective story written ...
Bangladeshi Folk Literature (Bengali: বাংলাদেশী লোক সাহিত্য) constitutes a considerable portion of Bengali literature.Though it was created by illiterate communities and passed down orally from one generation to another it tends to flourish Bengali literature.
The goatherd flees to another kingdom and raises the kid with other goats. One day, the goat begins to talk and says he wishes to marry the local princess. The local king sets suitors' tasks first (to have a well full of flowers, and to have a well full of coins), which are duly fulfilled, and he has to deliver his daughter to the goat.
Meghe Dhaka Tara (transl. Cloud Capped Star; Bengali pronunciation: [meːɡʱeː ɖʱaːkaː taːra]) is a 2013 Indian Bengali film directed by Kamaleswar Mukherjee and made under Shree Venkatesh Films banners. The film is inspired by the life and works of Bengali film director Ritwik Ghatak.
Bhuvan Shome is a 1969 Indian Hindi-language drama film directed by Mrinal Sen [1] based on a Bengali story by Balai Chand Mukhopadhyay. [2] The cast includes Utpal Dutt (Bhuvan Shome) and Suhasini Mulay (Gauri, a village belle). The film is considered a landmark in modern Indian cinema. [3] This was the debut film of Suhasini Mulay.
The title Prothom Protishruti (First Promise) refers to the promise Satyabati, the protagonist, has made to educate her daughter Subarna and in which she failed. Critic Madhuri Chatterjee noted that the title also can be interpreted in positive terms — it could be the promise with which Satyabati leaves her household to demand answers regarding the position of women.